
Cheers to 2025
Every New Year holds promise, as though it is any different from the turn of
“People will forget what you said, people will forget what you did, but people will never forget how you made them feel. Your tone is the vehicle for that feeling.”
Several years ago, I was invited to a high-stakes corporate retreat in Lagos. The keynote speaker was a brilliant strategist, a man whose mind I deeply respected. He had spent months preparing a presentation that was supposed to redefine the company’s trajectory for the next decade. The content was flawless. The slides were immaculate. But within ten minutes of him taking the stage, I looked around the room and saw half the audience discreetly checking their phones, while the other half fought a losing battle against heavy eyelids.
What went wrong? It wasn’t his body language—he stood tall and confident. It wasn’t his words—they were meticulously chosen.
It was his TONE.
He delivered a visionary, future-altering strategy in the exact same flat, monotonous drone one might use to read a grocery list. There was no passion, no urgency, no variation. He had the right words, but he played them on the wrong instrument. That day, a multi-million Naira strategy died a quiet death, not because it lacked merit, but because it lacked music.
In our previous article, we explored the first of the Five Pillars of Public Speaking Mastery: LOOK (Authority & Presence). Today, we dive into the second, and perhaps the most emotionally resonant pillar: TONE (Influence & Connection).
“People will forget what you said, people will forget what you did, but people will never forget how you made them feel. Your tone is the vehicle for that feeling.”

If your LOOK is the foundation of your authority, your TONE is the engine of your influence. Tone is not just about having a “good voice.” It is the strategic manipulation of volume, pitch, pace, and pauses to inject emotion and meaning into your words.
Research by Professor Albert Mehrabian indicates that while 55% of communication is visual, a staggering 38% is vocal. Only 7% is the actual words you use. When your tone contradicts your words—for example, saying “I am thrilled to be here” in a flat, bored voice—the audience will always believe the tone over the text.
To master the TONE pillar, you must learn to play your voice like an instrument. Here are the four critical elements you must control:
The master speaker varies their pace strategically. When sharing an exciting vision or a rapid sequence of events, speed up slightly to build momentum. When delivering a profound truth, a complex data point, or a critical call to action, slow down. Let the gravity of the words settle over the audience.
Instead, use volume dynamically. Raise your voice to project confidence, passion, and energy during key rallying points. But do not underestimate the power of dropping your volume. Leaning in and lowering your voice to a near-whisper forces the audience to lean in with you. It creates an atmosphere of intimacy, secrecy, and profound importance.
When you ask a question, your pitch should naturally rise at the end. When you make a definitive statement, your pitch should drop, signaling finality and authority. (Notice how news anchors drop their pitch at the end of a broadcast). Injecting melody into your voice keeps the audience’s brain engaged, as it constantly processes the changing auditory landscape.
The master speaker weaponizes the pause. A pause before a key statement builds unbearable anticipation. A pause after a profound statement allows the audience to absorb its impact. A pause after a joke allows the laughter to swell. Silence is the canvas upon which your words are painted. Do not be afraid of it; own it.
“The right word may be effective, but no word was ever as effective as a rightly timed pause.” — Mark Twain

Just as with body language, different generations respond to tone differently. Senior executives and older professionals often equate a measured, deep, and steady tone with competence and stability. They appreciate gravitas. Younger professionals (Gen Z and younger Millennials), however, are highly attuned to authenticity and conversational tones. They reject the “corporate broadcaster” voice as artificial.
The modern master speaker bridges this gap by adopting a tone of “elevated conversation.” You are not delivering a rigid lecture; you are having a passionate, authentic conversation with five hundred people at once.
To master the TONE pillar, you must break the habit of relying on words to convey emotion. Here is your practical task for this week:
If you can make “Mary Had a Little Lamb” sound terrifying, you have begun to master your tone.
Your voice is the most powerful tool you possess. It can soothe, it can terrify, it can bore, and it can inspire. When you align your LOOK with a masterful TONE, you become magnetic.
In our next article, we will explore the third pillar: FEEL, and how to inject genuine passion and authenticity into every presentation. Until then, remember: it is not just what you say, it is the music you play while saying it.

Akin Akingbogun is a renowned public speaker, trainer, and the visionary behind Eloquence Unfiltered, a transformative public speaking masterclass launching August 22, 2026, at the MUSON Centre, Lagos.

Every New Year holds promise, as though it is any different from the turn of

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Let me take you somewhere. Not to the bottom of the Atlantic Ocean — at least, not yet. First, to Lagos. Nigeria. Sometime in the late 1980s. A teenager who should probably have been revising for exams is instead sitting cross-legged on the floor of a library, holding a book that is older than most of the furniture around it, reading about a city beneath the sea.

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I hope you find it worth your time.

This is my story, every pulsating detail documented to inspire you to question what you know and leap beyond your limitations.
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I hope you find it worth your time.

There is a category of question that polite intellectual company tends to avoid: the kind that, if you pull the thread long enough, begins to unravel not just a specific mystery but the entire fabric of what we think we know about human history. The Pyramids of Giza are that thread. They have been standing in the Egyptian desert for roughly 4,500 years.

There is a peculiar kind of madness that does not arrive with hallucinations or trembling hands. It arrives quietly. At two in the morning. In a small desert town in New Mexico. It sounds like an idling diesel engine somewhere in the distance — except there is no engine. It sounds like a bass note being held by an invisible orchestra — except there is no orchestra.

Let me confess something. Long before LinkedIn articles, podcasts, and leadership keynotes became my world, I was a teenager sneaking to the library

In an era that increasingly demands hyper-specialization, Akin Akingbogun stands out as a refreshing anomaly. He is a man who refuses to be confined to a single box.

There is a particular kind of silence that falls on a man when the phone stops ringing, the proposals go unanswered, and the diary that once groaned under the weight of appointments sits quietly — almost mockingly — open. If you have ever been there, you know it.

Let me tell you something uncomfortable: the most generous person you know — the one who volunteers every weekend, donates quietly, never asks for anything in return — is probably getting something out of it. Not money. Maybe not even recognition. But something.

Adaeze had been awake since 4 a.m.
Not because she was anxious — though she was — but because this trip felt different. After eighteen months of follow-ups, phone calls, and PowerPoint presentations polished to a mirror shine, the deal was finally ready to close. An investor meeting in Abuja. A partnership that would change the trajectory of her small but gutsy consulting firm. She had triple-checked her flight, her documents, her outfit. She had prayed. She was ready.

When he told his father, Dare’s first response was a sigh. Then: “I told you to practice more. I told you months ago. You don’t listen. You never listen.”
There was no “I’m sorry, son.” No pause to let the boy simply feel the loss of the thing he wanted. Just a swift, seamless pivot to what Temi had done wrong — and, by extension, how Temi’s failure was evidence of Temi’s failure to take his father’s wisdom seriously.

I want to tell you something that took me embarrassingly long to learn. Not because the idea is complicated — it is not. But because it cuts against something deeply wired in us, something we are rarely honest enough to admit.
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1 thought on “The Five Pillars of Public Speaking Mastery: Pillar 2 – TONE”
“Silence is the canvas upon which words are painted”….. I truly appreciate the richness I’ve experienced from this write-up.
Thanks omo Akin!