Editorial cover photograph for Loose Ends Chapter 47, Bread in the Shade

Loose Ends — Chapter 47: Bread in the Shade

Chapter summary

Folasade joins Mama Bolu, confronts shared complicity, and waits for Karo while they share bread.

MAMA BOLU

Friday The police came to the stall at ten. Two of them, in a pickup, with a notebook. They wanted to know about a girl named Karo. They asked whether she had ever seemed strange.

Mama Bolu stood behind the counter with her arms folded and said, “She is a quiet girl. She buys bread.”

They thanked her and went. She watched the pickup out of sight. Then she sat down on the stool and put her hands over her face.

Photorealistic image of a real older Black Nigerian market woman behind a small bread stall, seated with both hands over her face after a police pickup departs, sunlit street and simple counter around her, private fear amid ordinary commerce, 16:9 landscape.
Photorealistic image of a real older Black Nigerian market woman behind a small bread stall, seated with both hands over her face after a police pickup departs, sunlit street and simple counter around her, private fear amid ordinary commerce, 16:9 landscape. Stock photograph used illustratively; characters and events are fictional. Photo source.

She sat like that. A customer came and went. When she looked up again the sun had moved to the other side of the street, and Folasade stood at the edge of the shade in her best wrapper, a bag over her shoulder, sunburned and old.

“Bolu.”

“You came.”

“I took the first bus.” Folasade set the bag down. She looked smaller than she had at the funeral. She looked like a woman who had been carrying a heavy thing for a long time and had at last been told she could put it down. “Where is she?”

“Gone. They say she walked into the dark. The police are looking.”

“They will not find her.”

“No.”

“She learned that from me,” said Folasade. “How to go into the dark and not be found.” She sat down on the other stool. “I have been thinking since yesterday. I have been thinking about the Chief’s wife. I hated her sixteen years. I wished her dead every night. And last night I thought, what did I do to her? I took her husband’s Fridays and her husband’s envelopes. I sat in a house that she was paying for. And I told my little girl it was a fair price.”

“Folasade.”

“I am not saying she was right. I am saying that there are two women in every second house, and I only ever looked at one.” She wiped her face with the corner of her wrapper. “There was a wife in this too, Bolu. A wife who put a calabash at my child’s door. I think that wife and I would have liked each other, in another life.”

Photorealistic two-shot of real older Black Nigerian women on stools in market shade, one in her best wrapper wiping her face as she confesses and the other listening in grave silence, bread stall textures and moving market softly behind them, 16:9 landscape.
Photorealistic two-shot of real older Black Nigerian women on stools in market shade, one in her best wrapper wiping her face as she confesses and the other listening in grave silence, bread stall textures and moving market softly behind them, 16:9 landscape. Stock photograph used illustratively; characters and events are fictional. Photo source.

Mama Bolu said nothing. She reached under the counter and brought out a loaf, still warm from the morning’s delivery, and broke it in two. She handed half to Folasade.

“I have not eaten since Isara,” said Folasade.

“I know,” said Mama Bolu. “Eat.”

Photorealistic close scene of a real Black Nigerian market woman breaking a still-warm loaf and pressing half into another older woman’s tired hands, culturally grounded Nigerian stall setting, compassion expressed through food rather than embrace, 16:9 landscape.
Photorealistic close scene of a real Black Nigerian market woman breaking a still-warm loaf and pressing half into another older woman’s tired hands, culturally grounded Nigerian stall setting, compassion expressed through food rather than embrace, 16:9 landscape. Stock photograph used illustratively; characters and events are fictional. Photo source.

They sat together on two stools in the shade, with the market going about its business around them, and shared a loaf of bread.

Photorealistic wide documentary photograph of two real older Black Nigerian women sharing bread on low stools in the shade while a Nigerian market flows around them, grief held inside an everyday communal landscape, warm afternoon colour, 16:9 landscape.
Photorealistic wide documentary photograph of two real older Black Nigerian women sharing bread on low stools in the shade while a Nigerian market flows around them, grief held inside an everyday communal landscape, warm afternoon colour, 16:9 landscape. Stock photograph used illustratively; characters and events are fictional. Photo source.

Loose Ends · Continue reading

Continue to Chapter 48

The story continues in the next chapter.

Read Chapter 48 →

What stayed with you? Share your thoughts in the comments below.

Featured and contextual photographs are used under the Pexels licence and are illustrative; the characters and events are fictional. Featured photograph source. Editorial design by akinakingbogun.com.


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