Editorial cover photograph for Loose Ends Chapter 39, A Workable Bridge

Loose Ends — Chapter 39: A Workable Bridge

Chapter summary

Dara and Sarah share anger, accountability, uneasy respect, and practical terms beside the waiting police.

DARA

Thursday, later The police came at one. The ambulance had taken Sammy away at ten past eleven, and for a long while the lane was full of torchlight, half-heard Yoruba and the crackle of a radio. Dara sat on the bonnet of her Toyota with a sachet of pure water, sipping, and stared at the gate.

Somebody stopped beside her. She did not need to look. The smell came first, soft and powdery, like a church wedding.

“May I?” said Sarah.

“It’s a free country.”

Sarah sat on the bumper, not close. She had taken off the jacket. Her shirt had a dark stain at the shoulder where the sea air had got to it, and her hair had come loose from its plait. She looked, Dara thought, like a very tired woman who had done a great deal of lifting.

Two exhausted Black Nigerian women sitting apart on a dented Toyota after a crisis.
Two exhausted Black Nigerian women sitting apart on a dented Toyota after a crisis. Stock photograph used illustratively; characters and events are fictional. Photo source.

“Why the pizza?” said Dara.

Sarah took a moment. “Because you wrote to him at three in the morning, and what you wrote was Are you coming? I read it forty times. It was the only honest sentence in the entire folder. I wanted you to smell what I had been smelling for three weeks.”

“Did it help?”

“No.”

“Did you think it would?”

“I thought I would feel like a queen.” She almost smiled. “I felt like a woman holding an empty shopping bag.”

A middle-aged Black woman confessing the emptiness of revenge under moonlight.
A middle-aged Black woman confessing the emptiness of revenge under moonlight. Stock photograph used illustratively; characters and events are fictional. Photo source.

Dara drank some more water. The sea was very loud. “I’m still angry,” she said.

“You should be.”

“I slapped you.”

“Yes.”

“I’m not sorry.”

“Good,” said Sarah. “I would think less of you.”

A silence stretched between them, not a comfortable one but a workable one, like a bridge made of planks. Dara reached into the sachet of water, found it empty, and tossed it into the dark.

Two wary Nigerian women sharing an uneasy but workable silence beside a car.
Two wary Nigerian women sharing an uneasy but workable silence beside a car. Stock photograph used illustratively; characters and events are fictional. Photo source.

“Your boots,” she said. “When I opened the gate on Tuesday and saw them, I thought, impressive. I thought, only in Lagos.”

“Thank you,” said Sarah. “I did not think anybody would notice.”

“I noticed.” Dara looked at the stain on her shoulder. “I’ll take the money, if you’re offering. For the pizza, for the cleaning, for my neighbour’s therapy and mine. I won’t take the therapist. I’ve got my mother for that.”

“Done.” “And I’ll come to the police station tomorrow,” said Dara. “And I’ll tell them what I know. All of it. Including what you did.”

“I would expect nothing less.”

“Don’t be so reasonable. It makes me want to slap you again.”

Sarah laughed. It was a low, startled sound, the first Dara had heard from her, and it did something odd to the air in the lane.

They sat there a while longer on the bumper of a dented Toyota while the policemen shouted at one another over the wall and the moon came up over the sea, big and yellow and not the least bit interested in any of them.

Two women beside a silver Toyota as police lights flicker and a large moon rises over the sea.
Two women beside a silver Toyota as police lights flicker and a large moon rises over the sea. Stock photograph used illustratively; characters and events are fictional. Photo source.

Loose Ends · Continue reading

Continue to Chapter 40

The story continues in the next chapter.

Read Chapter 40 →

What stayed with you? Share your thoughts in the comments below.

Featured and contextual photographs are used under the Pexels licence and are illustrative; the characters and events are fictional. Featured photograph source. Editorial design by akinakingbogun.com.


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