Editorial cover photograph for Loose Ends Chapter 23, One Lie in Each Hand

Loose Ends — Chapter 23: One Lie in Each Hand

Chapter summary

Sammy stages a confession for Sarah, then Karo’s impossible pregnancy claim exposes another devastating deception.

SAMMY

Wednesday Sarah stood at the gate in her morning wrapper, with a boy on each hip, and held on to his lapels a little longer than the occasion needed.

“Go well,” she said. “Call me when you land.”

“Take care of the boys.”

“I always do.”

He kissed her on the forehead and breathed in. It hit him there, in the heat of the driveway, with the driver loading his bag. Soft, powdery, sweet, with a trace of cream. The smell he had been calling hotel soap for two years was the smell of her pillow. He had been carrying his own house into other women’s rooms, and not one of them had needed to tell him.

The driver took him to the airport. Sammy walked through the departures hall, bought a bottle of water he did not want, left by the far door, and took a taxi to Ikoyi.

The baker was a small woman with flour to her elbows. The cake she had made was a lemon sponge in the shape of a dome, with a tiny white-chocolate bicycle propped against it. He had described it to her three weeks earlier, a round library in a small English city, a girl in boots, and she had listened as if it were a love story. He supposed it was.

At the florist he bought yellow roses, the colour of the notebook Sarah had carried everywhere at Oxford.

Original editorial illustration: street- of a middle-aged man in an Ikoyi flower shop holding yellow roses and looking unexpectedly…
Original editorial illustration for Chapter 23, Scene 1. Characters and events are fictional.

At the house in Lekki, Baba Sule met him at the gate with a worried face. “Oga, the madam came yesterday.”

Sammy went still. “Which madam?” “A woman from the agency. She asked plenty questions. Big woman, nice perfume. She had the boots.”

Original editorial illustration: photograph at a green Lekki gate: an older gateman quietly warns a well-dressed man carrying roses;…
Original editorial illustration for Chapter 23, Scene 2. Characters and events are fictional.

The roses slipped a little in his arm. He had not told any agency. There was no agency.

He gave Baba Sule five thousand naira and told him that from now on the gate was to open for nobody except a lady named Sarah.

Strangely, what he felt was relief. If she knew, she would come, and everything he had to say would be easier. A man who has rehearsed a confession for three weeks does not mind if the audience arrives early.

He spent the afternoon in the kitchen, helping the cook, who did not want his help. At five he laid the table for two on the terrace. At eight he stood in the master bedroom in front of the mirror and practised his opening line in the voice of a man who had done nothing wrong. It did not work. He tried the voice of a man who had done everything wrong. That one fitted.

At midnight, when the lanterns were lit and the sea was a dark noise beyond the wall, he went down to the car, took the Samsung from the glove compartment, and switched it on.

Thirty-one missed calls.

Dara had written eleven times. Where are you. Why is your phone off. Baby please just say you are alive.

Tobe had written twice. Please call me. Something is wrong. Somebody is inside my phone.

Sammy read that one twice. His wife’s hands were fast on a keyboard. He took the thought, folded it small, and put it where he put things he could not afford to look at. A coincidence. The world was full of people who got hacked.

Karo had written four times. I need to see you. I’m not well. And then, on Monday evening after he had sent her home with thirty thousand naira, Are you ignoring me? And then, on

Wednesday at four minutes past four, the last one.

I am pregnant. It is yours.

Original editorial illustration: night portrait of a man sitting alone in a parked car, face drained as he reads a phone held low;…
Original editorial illustration for Chapter 23, Scene 3. Characters and events are fictional.

Pregnant? Pregnant?!

He read it three times. The sea went on in the dark. A gecko ran across the windscreen.

There was one fact about his own body that he had told no one for six years. Not his wife, not his doctor’s receptionist, not God. It turned the message on the screen into a riddle, and Sammy had never been good at riddles. He laughed, quietly, and it was the worst sound he had ever made.

His other phone, the real one, buzzed against his thigh. Sarah. Landed? Send me a picture of the hotel.

He searched for a hotel lobby in Dubai and found one in two seconds, all marble and gold, and sent it with the word Beautiful. A small red heart arrived almost at once.

He sat in the dark car with two phones in his hands, one lie in each, and felt like a man holding a lit match in a petrol station.

Original editorial illustration: cinematic of a man in a dark parked car holding one phone in each hand, red and blue screen glow…
Original editorial illustration for Chapter 23, Scene 4. Characters and events are fictional.

Loose Ends · Continue reading

Continue to Chapter 24

The story continues in the next chapter.

Read Chapter 24 →

What stayed with you? Share your thoughts in the comments below.

The featured photograph is used under the Pexels licence. Contextual scene illustrations are original editorial artwork created for this serial; the characters and events are fictional. Featured photograph source. Editorial design by akinakingbogun.com.


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