Editorial cover photograph for Loose Ends Chapter 15, Seven Thousand Eight Hundred

Loose Ends — Chapter 15: Seven Thousand Eight Hundred

Chapter summary

Disguised Sarah delivers Dara’s foul package, recognises unsettling similarities, then trembles privately inside her Mercedes.

SARAH

Tuesday afternoon She had never ordered a pizza in her life that was not meant to be eaten.

The box itself was easy. She had asked the pizza place on Allen Avenue for an empty one, with a smile and a hundred-naira tip, and the girl behind the counter had given her two without asking why. The contents had taken more planning. She had spent Monday night in the garage with a mask on and the windows open, and she did not intend to think about it again.

The POS machine she had bought online for four thousand five hundred naira. It would not take a card, but it did make a great many satisfying noises. The helmet and the goggles and the gloves were from Sunday. Everything else was nerve.

Original editorial illustration: Plus-size woman in a garage arranging a helmet, goggles, gloves, biker jacket and harmless fake POS…
Original editorial illustration for Chapter 15, Scene 1. Characters and events are fictional.

She knew the pizza was due. Dara’s messages to Sammy were full of it. Ordering my usual pepperoni. Tuesday is my day. Are you coming Monday? Half past twelve, every Tuesday, delivered by two. At ten to two she was on the back of an okada at the estate gate in Yaba, with the engine idling and the box on her lap, rehearsing the first line.

The gate was a steel one, painted green, with a small hatch for deliveries. She stepped off the bike. Behind her the okada man, a wiry boy of about twenty, said, “Madam, I no go wait,” and was already gone.

Dara came out of the building in a nightgown, barefoot, her hair tied up in a scarf, and walked down the path.

She was pretty. Sarah had known that. She had seen the photographs. But photographs do not tell you that a woman will walk the way Dara walked, with her shoulders back, quick and a little defiant, like someone who expects to be told no. She had bitten fingernails. A pulse ticked at the base of her neck.

Original editorial illustration: telephoto view from a helmeted Black woman’s perspective as a younger woman walks barefoot down an…
Original editorial illustration for Chapter 15, Scene 2. Characters and events are fictional.

“Good afternoon,” said Sarah. Her voice came out perfectly steady, which astonished her. “I trust you are having a great day? You ordered pepperoni pizza? Please pay here.”

The woman looked at her boots. Sarah braced for a question, but what came was a small, startled nod, almost approval, as if to say fancy that. Then Dara looked down at the machine and began to press the buttons with her chewed thumb, and Sarah’s eyes stung under the goggles, because it was exactly what she herself would have done.

She would refund it that night to the last kobo. Seven thousand eight hundred. She was not a thief.

Original editorial illustration: Helmeted plus-size woman holding a POS terminal while watching a younger woman return indoors with a…
Original editorial illustration for Chapter 15, Scene 3. Characters and events are fictional.

She handed over the box, said “Enjoy your meal,” and walked round the corner at an ordinary speed, which took every ounce of will she owned. The white Mercedes was waiting at the junction with Tunji reading a newspaper. She got in, shut the door and took off the helmet.

“Home, madam?”

“Home, Tunji.”

He drove for a full minute in silence. Then, without looking round, he said, “Madam, you are shaking.”

Original editorial illustration: Inside a white Mercedes, a plus-size woman has removed her helmet and stares ahead while her hands…
Original editorial illustration for Chapter 15, Scene 4. Characters and events are fictional.

“It is cold in the car.” “Yes, madam,” said Tunji, and turned the air conditioner off.

Loose Ends · Continue reading

Continue to Chapter 16

The story continues in the next chapter.

Read Chapter 16 →

What stayed with you? Share your thoughts in the comments below.

The featured photograph is used under the Pexels licence. Contextual scene illustrations are original editorial artwork created for this serial; the characters and events are fictional. Featured photograph source. Editorial design by akinakingbogun.com.


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